Anne Humphrey is a colleague of mine in MCC’s English Department who first joined in on our Winter 2016 writing group. I have a soft spot in my heart for Anne H., because, in addition to being a fellow grammar nerd, ardent defender of the Oxford comma, and my office neighbor, she is also a fellow alum of DePaul’s MA in Writing program.
And, like me (or like I used to be), Anne is used to commuting quite a distance to and from work. Here’s what Anne has to say about taking advantage of driving for her creative endeavors.
This is a guest post from Anne Humphrey, a member of this summer’s Online Writing Group:
This past week, I was on a road trip to Connecticut and back. I love driving. and I love road trips. On the way back on this trip, I was so excited to work on some of what was discussed at the conference, and from seeing old friends there, that I drove all night without getting tired.
But I love to drive in general. Driving for me is not mainly about the trip itself, or the act of driving, but the way driving makes me feel — I am DRIVING as in accomplishing, moving forward, going to a next step.
I commute over an hour, each way, during the school year. Sometimes, people express concern or pity. But I say “I don’t mind. I make phone calls. I listen to podcasts.” To people I know better, I say, “I rehearse for class; I think through various problems.” Some people who correspond with me frequently know that I even manage text and email communication while driving (don’t worry, just at stop signs).
But what I rarely have admitted to anyone is that driving is for me prime writing time. Admittedly, I’m usually working out carefully worded emails about delicate situations, but I’ve worked on my creative writing too, quite a bit, while driving.
We’ve been spending time in this group discussing our writing space, and I am working on a new space in my house. But my main writing space for about thirty years has been in the driver’s seat of my car.
There are things I’ve tried over the years: a pad fitted for the dashboard (people commented on that quite a bit, but it was not really that exotic — my mom got it for me at Walmart); carrying a camera (now can just use my phone for this); carrying a voice recorder (now I can use phone and even voice recognition the same way); and recording phone calls (legal in Illinois if the other party knows you are doing it) — I would use these to talk through writing ideas with my mother or one close friend who is also a writer.
Most of the driving-writing has been inadvertent; ideas just flow for me in that environment, so in thinking about my WIP, ideas would come. Or random new ideas would occur from the stimulation of the driving. However, some writing I have assigned myself as an objective for the road trip.
On one occasion about twenty years ago, I had a novel almost finished but could not work out a central chapter. I knew what needed to happen, and where I wanted it to happen, but I had skipped over the chapter when drafting because I felt intimidated by that piece somehow. So, I said “I will work on that during this trip.” I was driving from St. Charles, IL to Cincinnati. In northern Indiana, I had to stop to replace my voice recorder, which, under the heavy use of this project, chose the first half of that trip to die completely. I forged on. I wrote the chapter. I even thought it almost was good, or at least as good as the rest of the book (which was not very good, but still).
After that, I gave myself many purposeful assignments for during specific trips, both long road trips and my commute. This summer, I had the idea for the “Prince poem” and wrote about half of it on a road trip back from Lake Erie a few weeks ago. On the overnight trip last Sunday night (action photo above), I worked on a different short something and wrote the whole thing. It’s just a short something. I’m not going to say “poem” because in the past few weeks, at two early music conferences, I’ve sat in a few talks about poetry that made me realize that I was not making poems. So for now I am calling them short somethings. Anyway, the Prince short something is still only half done. But I finished the “Midnight Blindspot in a Rearview Mirror” short something, while driving, on an overnight road trip.
I did it using text messaging, texting single lines or couplets to myself. The technology changes, but my method only changes slightly.
MORAL OF THIS RAMBLING STORY: I’d say, when it comes to writing, we should simply do what works: “Just do it.” Get the equipment, be at least somewhat intentional, and do it. Also, the writing space is where you are/where I am. So we should just start writing.
Notwithstanding this strong pitch, I’ll try to finish and post about my in-house writing space for our end post. I’m pretty pleased with it so far. I want the space to be so perfect for my needs that it lures me in, to writing.
Anne (R) dressed as her alter-ego, Grammar Girl, helps me (L) and our colleague Starr (C) recruit students on MCC Night, 2014
Thanks, Anne! Although I don’t promote texting in the car (Trevor can attest to this, since I harangue him if he even looks at his phone while he’s driving), I love these ideas and wholeheartedly agree that writers can capitalize on driving, both for quiet, alone time as well as for brainstorming. So next time you’re stuck on an idea, get in the car and drive!